It might be best to think of the songs featured in this week's column as the musical equivalent of a cup of Neapolitan ice cream. Plastique De Reve's cool, neutral track has the sweet, subtle flavor of vanilla, and Architecture In Helsinki's tart, perky number is like the layer of strawberry alongside Alter Ego's cut, which has the rich, heavy quality of chocolate. Granted, the music is neither cold nor creamy, but you can dance to it, which certainly cannot be said for a carton of ice cream.
1
"Allright (Vocal Mix)"
Plastique De Reve (Kitty-Yo)
The Swiss electro producer Plastique De Reve's "Allright (Vocal Mix)" is sleek, shiny and constantly changing its shape. The synthetic bass line bumps though the entire piece, but the rest of the arrangement seems to be in a constant state of flux, slowly morphing between dense and diffuse sections while maintaining a consistently mellow mood. The soulful, somewhat androgynous vocals, complement the music's fluid, ambiguous quality, and adds a bit of R&B flavor to a piece firmly rooted in the tradition of European house music.
2
"Hold Music"
Architecture In Helsinki (Polyvinyl)
The Australian pop group Architecture In Helsinki straddles the line between straight-up dance music and shambling, idiosyncratic indie rock on their third album "Places Like This." "Hold Music" is a busy, boisterous blow-out that at various points recalls the twitchy, neurotic polyrhythms of mid-period Talking Heads, the stoned funk of early Parliament, psychedelic disco of Deee-Lite, and the goofy grooves of the B52s. Despite its everything-but-the-kitchen-sink arrangement, the song manages to hold together nicely, and its inspired hooks keep the piece from seeming like nothing more than a steep pileup of eclectic influences.
3
"Gary (Radio Edit)"
Alter Ego (Klang)
The German duo Alter Ego are the men behind "Rocker," one of the most iconic dance singles of the decade. "Gary," a cut from their new full-length album "Why Not?!," picks up where "Rocker" left off, with a strong 4/4 beat and thick, multi-tracked layers of heavy synthesizer hooks that transpose hard rock riffs with electronic textures straight out of a vintage sci-fi movie or video game. Though "Gary" is somewhat short on the sleazy vibe of their signature hit, its exaggerated cosmic tone is rather charming in a retro space-age sort of way.
Matthew Perpetua is the maestro of fluxblog.org.
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